Mar

22

Blue-and-white Flask with Ruyi-scepter Shaped Ears and Interlocking Lotus Design

By Ceramic Design Ideas



 

 

Blue-and-white Flask with Ruyi-scepter Shaped Ears and Interlocking Lotus Design

Qianlong Reign (1736-1795), Qing Dynasty (1644-1911)

This pot has a garlic-head shaped mouth and a pair of ruyi-shaped ears. The interior is glazed white while the exterior is painted with floral designs. This vessel was made for court use during the Qianlong era (1736-1795) at Jingdezhen imperial kiln. This flask reflects the popularity of antique style at that time.

Jan

3

Blue-and-white Prunus Vase with Flowers and Fruits

By Ceramic Design Ideas



Yongle reign (1403-1424), Ming dynasty (1368-1644)

The vase has a small mouth with everted rim, a short neck, wide shoulders, a slightly tapered stomach and a lid with a small knob. The exterior is covered with blue-and-white glaze, decorated with S-shaped cloud design on the shoulder and disconnected sprays of floral ornamentation, fruit patterns on the stomach, slightly upward lotus-petal design and acanthus design around the foot. On the top of the lid is a plantain leaf design and a flower-leaf pattern on the walls of the lid.
  The Chinese prunus vase was prevalent from the Song dynasty (960-1272) to the 18th century. The short neck and small mouth of this prunus vase recalls a thin balustrade. In early days, prunus vases were made with a conical lid, indicating that they were utilitarian liquid containers. However, ornament and arrangement later became their priority function instead of utility. This one is characterized by delicate ornamentation and clear composition, which is the typical style of the Yongle porcelain.

 Blue-and-white Prunus Vase with Flowers and Fruits

Mar

12

handbuilt ceramic design art

By Ceramic Design



As a freelance ceramic design artist I am involved in the design and making of one off individual, limited edition ceramic pieces. These are made using a combination of handbuilding and slip-casting techniques. The motivation behind my work is to create pieces that are both unusual and striking in terms of shape, decoration and scale. The vessel is the basis upon which to experiment with sculptural ideas, where the ‘pot’ is cut into or added to and works visually from many different angles.

The featured black and white ‘MONO’ range (pic below) derives it’s inspiration from 1960′s op artists such as Bridget Riley and Victor Vassarley. I was interested to see how similar designs would translate to a three dimensional surface and the resulting optical effect. The use of black and white exclusively aims to draw attention to the form while highlighting positive and negative shapes, spaces and patterns. Each vessel is glazed, hand decorated and range between 1 – 3 feet in height.