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Jan

3

Blue-and-white Prunus Vase with Flowers and Fruits

By Ceramic Design Ideas



Yongle reign (1403-1424), Ming dynasty (1368-1644)

The vase has a small mouth with everted rim, a short neck, wide shoulders, a slightly tapered stomach and a lid with a small knob. The exterior is covered with blue-and-white glaze, decorated with S-shaped cloud design on the shoulder and disconnected sprays of floral ornamentation, fruit patterns on the stomach, slightly upward lotus-petal design and acanthus design around the foot. On the top of the lid is a plantain leaf design and a flower-leaf pattern on the walls of the lid.
  The Chinese prunus vase was prevalent from the Song dynasty (960-1272) to the 18th century. The short neck and small mouth of this prunus vase recalls a thin balustrade. In early days, prunus vases were made with a conical lid, indicating that they were utilitarian liquid containers. However, ornament and arrangement later became their priority function instead of utility. This one is characterized by delicate ornamentation and clear composition, which is the typical style of the Yongle porcelain.

 Blue-and-white Prunus Vase with Flowers and Fruits

Jul

8

Blue-and-white Ding Tripod with Floral Design

By Ceramic Design Ideas



Blue-and-white Ding Tripod with Floral Design

 

Yuan Dynasty (1271-1368)

This ding tripod is tall and of simple structure, which is quite rare among Yuan dynasty porcelain wares. Curves at the stomach and the feet elegantly draw contrast to the straight lines below the mouth rim.

May

11

Blue-and-white Prunus Vase with Flowers and Fruits

By Ceramic Design



 Blue-and-white Prunus Vase with Flowers and Fruits

Blue-and-white Prunus Vase with Flowers and Fruits

Yongle reign (1403-1424), Ming dynasty (1368-1644)
Height: 35.5 cm
Mouth diameter: 6.5 cm
Foot diameter: 14 cm

Blue-and-white Prunus Vase with Flowers and Fruits 1

The vase has a small mouth with everted rim, a short neck, wide shoulders, a slightly tapered stomach and a lid with a small knob. The exterior is covered with blue-and-white glaze, decorated with S-shaped cloud design on the shoulder and disconnected sprays of floral ornamentation, fruit patterns on the stomach, slightly upward lotus-petal design and acanthus design around the foot. On the top of the lid is a plantain leaf design and a flower-leaf pattern on the walls of the lid.

Blue-and-white Prunus Vase with Flowers and Fruits 2
  The Chinese prunus vase was prevalent from the Song dynasty (960-1272) to the 18th century. The short neck and small mouth of this prunus vase recalls a thin balustrade. In early days, prunus vases were made with a conical lid, indicating that they were utilitarian liquid containers. However, ornament and arrangement later became their priority function instead of utility. This one is characterized by delicate ornamentation and clear composition, which is the typical style of the Yongle porcelain.

Feb

13

Early China porcelain trade

By Ceramic Design



Wares from the 16th century include Kraak porcelain, Yixing stonewares, Blanc-de-Chine, Blue and white porcelain, Famille verte, noire, jaune and rose, Chinese Imari, Armorial wares and Canton porcelain. Chinese export porcelain is generally decorative, but without the symbolic significance of wares produced for the home market. With the exception of the rare Huashi soft paste wares, Chinese porcelain is hard paste made using china clay and Chinese porcelain stone, baidunzi. While rim chips and hairline cracks are common, pieces tend not to stain. Chinese wares are usually thinner than Japanese and do not have the Japanese stilt marks.

Dutch 17th Century still- life painting by Jan Treck, showing late Ming Blue and white porcelain export bowls (1649).

In the 16th century, Portuguese traders began importing late Ming dynasty Blue and white porcelain porcelains to Europe, resulting in the growth of the Kraak porcelain trade (named after the Portuguese ships called carracks in which it was transported). In 1602 and 1604, two Portuguese carracks, the San Yago and Santa Catarina, were captured by the Dutch and their cargos, which included thousands of items of porcelain, were auctioned, igniting a European mania for porcelain. Buyers included the Kings of England and France. Many European nations then established trading companies in the Far East, the most important being the Dutch East India Company or VOC. The trade continued until the mid-17th century when civil wars caused by the fall of the Ming dynasty in 1644 disrupted suppliers and the European traders turned to Japan.

Export porcelain vase with European scene, Kangxi period.

As valuable and highly-prized possessions, pieces of Chinese export porcelain appeared in many seventeenth-century Dutch paintings. The illustration (right) shows a painting by Jan Treck that includes two Kraak-style bowls, probably late Ming, the one in the foreground being of a type called by the Dutch klapmuts. The blue pigment used by the artist has faded badly since the picture was painted.

Under the Kangxi reign (1662–1722) the Chinese porcelain industry at Jingdezhen was reorganised and the export trade was soon flourishing again. Chinese export porcelain from the late 17th century included Blue and white and Famille verte wares (and occasionally Famille noire and jaune). Wares included garnitures of vases, dishes, teawares, ewers, and other useful wares, figure models, animals and birds. Blanc-de-Chine porcelains and Yixing stonewares arrived in Europe giving inspiration to many of the European potters.

For the potters of Jingdezhen the manufacture of porcelain wares for the European export market presented new difficulties. Writing from the city in 1712 the French Jesuit missionary Père François Xavier d’Entrecolles records that “…the porcelain that is sent to Europe is made after new models that are often eccentric and difficult to reproduce; for the least defect they are refused by the merchants, and so they remain in the hands of the potters, who cannot sell them to the Chinese, for they do not like such pieces”.

Feb

12

Blue and white wares

By Ceramic Design



Blue and white porcelain

Following in the tradition of earlier qingbai porcelains, blue and white wares are glazed using a transparent porcelain glaze. The blue decoration is painted onto the body of the porcelain before glazing, using very finely ground cobalt oxide mixed with water. After the decoration has been applied the pieces are glazed and fired.

It is believed that underglaze blue and white porcelain was first made in the Tang Dynasty. Only three complete pieces of Tang blue and white porcelain are known to exist (in Singapore from Indonesian Belitung shipwreck ), but shards dating to the 8th or 9th century have been unearthed at Yangzhou in the Jiangsu province. It has been suggested that the shards originated from a kiln in the province of Henan. In 1957, excavations at the site of a pagoda in the province Zhejiang uncovered a Northern Song bowl decorated with underglaze blue and further fragments have since been discovered at the same site. In 1970, a small fragment of a blue and white bowl, again dated to the 11th century, was also excavated in the province of Zhejiang.

In 1975, shards decorated with underglaze blue were excavated at a kiln site in Jiangxi and, in the same year, an underglaze blue and white urn was excavated from a tomb dated to 1319, in the province of Jiangsu. It is of interest to note that a Yuan funerary urn decorated with underglaze blue and underglaze red and dated 1338 is still in the Chinese taste, even though by this time the large-scale production of blue and white porcelain in the Yuan, Mongol taste had started its influence at Jingdezhen.

Starting early in the 14th century, blue and white porcelain rapidly became the main product of Jingdezhen, reaching the height of its technical excellence during the later years of the reign of the Kangxi Emperor and continuing in present times to be an important product of the city.

The tea caddy illustrated shows many of the characteristics of blue and white porcelain produced during the Kangxi period. The translucent body showing through the clear glaze is of great whiteness and the cobalt decoration, applied in many layers, has a fine blue hue. The decoration, a sage in a landscape of lakes and mountains with blazed rocks is typical of the period. The piece would have been fired in a saggar (a lidded ceramic box intended to protect the piece from kiln debris, smoke and cinders during firing) in a reducing atmosphere in a wood-burning egg-shaped kiln, at a temperature approaching 1350 °C.

Distinctive blue-and-white porcelain was exported to Japan where it is known as Tenkei blue-and-white ware or ko sometsukei. This ware is thought to have been especially ordered by tea masters for Japanese ceremony.

Dec

31

2009 China Jingdezhen Int’l Ceramic Fair

By Ceramic Design



Photo taken on Oct. 18, 2009 shows a blue-and-white porcelain clock on shown at the exhibition hall of 2009 China Jingdezhen International Ceramic Fair in Jingdezhen, east China’s Jiangxi Province. The 2009 China Jingdezhen International Ceramic Fair kicked off here on Oct. 18.

Visitors tour the exhibition hall of 2009 China Jingdezhen International Ceramic Fair in Jingdezhen, east China’s Jiangxi Province, Oct. 18, 2009.

A visitor views exhibits at the exhibition hall of 2009 China Jingdezhen International Ceramic Fair in Jingdezhen, east China’s Jiangxi Province, Oct. 18, 2009.

A woman shows blue-and-white porcelain clocks at the exhibition hall of 2009 China Jingdezhen International Ceramic Fair in Jingdezhen

A woman shows a blue-and-white porcelain clock at the exhibition hall of 2009 China Jingdezhen International Ceramic Fair in Jingdezhen, east China’s Jiangxi Province, Oct. 18, 2009. The 2009 China Jingdezhen International Ceramic Fair kicked off here on Oct. 18.

Jun

9

Fluted Ceramic Vase, Small

By Ceramic Design



Fluted Ceramic Vase, Small
fluted-ceramic-vase-small.jpg
Height 15.5cm

Ceramic Crystal Glaze Fluted vase, small, available in 2 colours, Blue & Green.

The glaze is beautifully finished in a creamy high gloss, and detailed with a fluid pattern, like droplets of oil spreading out in water or the layers of a crystal.

Each vase comes individually packaged in its own box.

A stylish gift to add an elegant touch to any room.

Detailed Dimensions: Height 15.5cms

Apr

18

Blue and White Porcelain Vase

By Ceramic Design



Blue and White Porcelain Vase 

Blue and White Porcelain Vase (Archaized).

It’s painted by known artists.

Size    48cm x 28cm

Packing    paper box with shockproof

polystyrene cushioning.about 0.045cbm.

Price    FOB Shanghai RMB 

Made in Jingdezhen, which is reputed as

“the capital of porcelain”

for it’s long history of ceramic making and

splendid ceramic culture

A wonderful choice for a gift or decoration

Stainless Steel Kitchen SinkTopmount Single Bowl SinkTopmount Double Bowls SinkSink